Warren Durrett Collection, MS59

Description

Note on Case: Tape 1, Warren Durrett Orch., Mission Hills Country Club, Fri., Dec. 9, 1983. Note on Side A: Warren Durrett Orch., Mission Hills C.C., Fri., Dec. 9, 1983.Note on envelope: Warren Durrett Orch., Mission Hills Country Club, Friday, Dec. 9, 1983, Tapes 1 & 2, Kim Park, tenor- Schad, etc.

Note on Case: Tape 2, Warren Durrett Orch., Mission Hills Country Club, Fri., Dec. 9, 1983. Note on Side A: Warren Durrett Orch., Mission Hills C.C., Fri., Dec. 9, 1983, Tape 2- Side A (other side blank).Note on envelope: Warren Durrett Orch., Mission Hills Country Club, Friday, Dec. 9, 1983, Tapes 1 & 2, Kim Park, tenor- Schad, etc.

Note on Case: Warren Durrett Orch., Dec. 14, 1976, Brookridge Country Club, I-A,B. Note on Side One: Warren Durrett Orch, Dec. 14, 1976, Brookridge Country Club, (1-A, 1-B). Note inside envelope: Page One: Tape 1, Side 1, Warren Durrett Orch., Dec. 14, 1976, Brookridge C.C., 199. (A) Santa Claus is Coming To Town, (B) Winter Wonderland, (C) I’ll Be Home for X-Mas, Pat Wilson, Good, 125. Polka Dots & Moonbeams, bad start, good from start of trpt. solo, 98. Thank Heaven for Little Girls, fair, 148. The Way We Were, Pat Wilson (vocal), very good, 39. Scotts Place, (great piano), fair, (good for ten. solo on w/ misread), 11. Manhattan (no vocal), very good, 59. Bad, Bad Leroy Brown (vocal, Pat Wilson), very good (but Liesenring solo), 18. Feelings (instr.), very good, 184. Satin Doll, very good (but leisenring solo), 94. Basie, Straight Ahead (Demoy K. Alto), very good (but last 2 bars messed up), 144. Meditation (Gibson- Leisenring), very good, 30. Release Me (Pat Wilson) very good, 321. Spanish Eyes, not good. Page Two: Tape 1, Side 2, W.D. Orch., Dec. 14, 1976, Brookridge C.C., pg. 2, 22. (A) Darn that Dream, (B) Spring is Here, (C) Dream a Little Dream, good, 151. Well Alright Okay You Win (Pat Wilson), very good, 0. Chaser, very good (but P.A. hum), 231. The Masquerade is Over (Pat Wilson), pretty good (from bridge of 1st chorus on), 226. Sophisticated Lady, no, 260. Rubens Blues, fair (piano too f.f. on mike), 80. ?, no, 79. Late Date, good, (good piano solo but too loud), 137. Lollipops and Roses (Raw hat horn solo), fair, 60. Who Can I Turn To (Pat Wilson), very good, (but piano too loud and distracting). Page Three: W.D. Orch, 12-14-76, tape 1, side 2, pg 3, 0. Chaser, 6. I Have Dreamed (Gibson solo), very good (in spite of strong piano), 75. The Look of Love (R. Hathorn solo), fair, 32. More and More (good too loud piano), pretty good, 43. Yes, Sir, That’s my Baby (no. too loud), pretty good. Page Four: 20. Cute (Great Jack Mouse), very good (even with loud piano), 3. Kenton Ballad, no, 188. It’s DeLovely (Pat Wilson), very good (except loud piano), 223. Ruppenthal Original Ballad, almost very good (piano mostly out), 76. My Heart Stood Still, very good, (even with ff piano), 73. I’ll See You in my Dreams (1 chos.), very good (even with ff piano).Note on envelope: Brookridge Country Club, December 14, 1976.

Note on Case: Warren Durrett Orch., Dec. 14, 1976, Brookridge Country Club, 2-A,B. Note on Side One: Warren Durrett Orch, Dec. 14, 1976, Brookridge Country Club, (2-A, 2-B). Note inside envelope: Page One: Tape 1, Side 1, Warren Durrett Orch., Dec. 14, 1976, Brookridge C.C., 199. (A) Santa Claus is Coming To Town, (B) Winter Wonderland, (C) I’ll Be Home for X-Mas, Pat Wilson, Good, 125. Polka Dots & Moonbeams, bad start, good from start of trpt. solo, 98. Thank Heaven for Little Girls, fair, 148. The Way We Were, Pat Wilson (vocal), very good, 39. Scotts Place, (great piano), fair, (good for ten. solo on w/ misread), 11. Manhattan (no vocal), very good, 59. Bad, Bad Leroy Brown (vocal, Pat Wilson), very good (but Liesenring solo), 18. Feelings (instr.), very good, 184. Satin Doll, very good (but leisenring solo), 94. Basie, Straight Ahead (Demoy K. Alto), very good (but last 2 bars messed up), 144. Meditation (Gibson- Leisenring), very good, 30. Release Me (Pat Wilson) very good, 321. Spanish Eyes, not good. Page Two: Tape 1, Side 2, W.D. Orch., Dec. 14, 1976, Brookridge C.C., pg. 2, 22. (A) Darn that Dream, (B) Spring is Here, (C) Dream a Little Dream, good, 151. Well Alright Okay You Win (Pat Wilson), very good, 0. Chaser, very good (but P.A. hum), 231. The Masquerade is Over (Pat Wilson), pretty good (from bridge of 1st chorus on), 226. Sophisticated Lady, no, 260. Rubens Blues, fair (piano too f.f. on mike), 80. ?, no, 79. Late Date, good, (good piano solo but too loud), 137. Lollipops and Roses (Raw hat horn solo), fair, 60. Who Can I Turn To (Pat Wilson), very good, (but piano too loud and distracting). Page Three: W.D. Orch, 12-14-76, tape 1, side 2, pg 3, 0. Chaser, 6. I Have Dreamed (Gibson solo), very good (in spite of strong piano), 75. The Look of Love (R. Hathorn solo), fair, 32. More and More (good too loud piano), pretty good, 43. Yes, Sir, That’s my Baby (no. too loud), pretty good. Page Four: 20. Cute (Great Jack Mouse), very good (even with loud piano), 3. Kenton Ballad, no, 188. It’s DeLovely (Pat Wilson), very good (except loud piano), 223. Ruppenthal Original Ballad, almost very good (piano mostly out), 76. My Heart Stood Still, very good, (even with ff piano), 73. I’ll See You in my Dreams (1 chos.), very good (even with ff piano).Note on envelope: Brookridge Country Club, December 14, 1976.

Note on tape: Selected Tape Master, from W.D. Orch, 12/14/76 Brookridge C.C. Note inside envelope: Warren Durrett Orch., Dec. 14, 1976, Brookridge C.C., Side 1, 199. Santa Claus Medley… Pat Wilson, solo, 124. Polka Dots & Moonbeams, Rich Wilson, solo, 148. The Way We Were… Pat Wilson, solo, 39. Scott’s Place… John Anderson/W.D., solo, 11. Manhattan, R. Wilson/W.D., solo, 59. Bad, Bad LeRoy Brown, P. Wilson, Leisenring, solo, 18. Feelings, M. DeMuynck/Anderson, solo, 184. Satin Doll, Leisenring/Anderson, solo, 94. Basie, Straight Ahead, M. DeMuynck, solo 144. Meditation (Part), Sherm Gibson, solo. Side 2, 144. Meditation (continued), Leisenring/W.D., solo, 30. Release Me, DeMuynck/P. Wilson, solo, 22. Darn that Dream Medley, a mike was moved at intermission which made the piano too strong and ruined most of the rest of the takes, 231. The Masquerade is Over, Pat Wilson, solo, 79. Late Date, W.D./R. Wilson, solo, 20. Cute, Jack Mouse, solo, 76. My Heart Stood Still, R. Wilson, solo, 223. Wayne Ruppenthal Ballad, 73. I’ll See You in my Dreams, Trumpets: R. Wilson, J. Sellards, S. Gibson, Bud Childers, Trombones: P. McBridge, J. Leisenring, B. Hartman, M. Young, Saxes: J. Anderson, R. Hathorn, M. DeMuynck, J. Johnson, Don Hatfield, Bass: Tim Rice; Drums: Jack Mouse; piano: W. Durrett, vocals: Pat Wilson.Note on envelope: Selected Tape Master, W.D. Orch., Dec. 14, 1976, Brookridge C.C.

Note on Case: Tape #1, Warren Durrett Orch., Holly Ball, 12/4/82, Crown Center. Note on Side A: Tape #1, Warren Durrett Orch., Holly Ball, 12/4/82, Crown Center. Note inside envelope: Side #1-A, Holly Ball 12-4-82 Crown Center, 68. If Ever I Should Leave You- pretty fair, 85. Until the Real Thing Comes Along (vocal)- okay, 254. Prelude to a Kiss- good, 54. More (strings)- okay, 142. Dancing Medley- good, 58. We’ve Only Just Begun (Marsh)-good, 258. Days of Wine & Roses (strings)- “, 67. White X-mas- “, 143. Endless Love (vocal)- “, 194. The More I See You- “, 140. Shiny Stockings- “, 139. What I Did For Love (vocal)- “, Side #1-B, 199. X-mas Medley (vocals)- good (fast), 201. On a Clear Day (strings)- “, 203. X-mas Song (vocal)- “, 262. Medley- Melancholy Baby- “, 88. New York, New York- “, 145. Stardust (good)- all alto II, 316. Girl From Ipanema (vocal)- good, pause, 183. You Stepped Out of a Dream- “, 85. Until The Real Thing Comes Along (vocal)- “, 168. Nice Work- “, 196. Now That We’re in Love (vocal)- “, 179. Our Day Will Come- “. Side #2-A, Crown Center, Holly Ball, 12-4-82, All alto II on Miller, 68. If I Should Ever Leave You, big pause, 69. Mack the Knife- rough, 95. Day by Day (Nestico)- “, 176. Opus one- so-so, 165. I Got a Gal in Kalamazoo- fair, 62. Killing me Softly (vocal)- okay, 102. Who’s Sorry Now- good, 240. Moonlight Serenade- bad, bal. on reeds, Side #2-B, 195. “A” Train- good, 226. Sophisticated Lady- good, 106. Fun Time- good, 73. Goodnight medley, chaser.Note on envelope: NO, Holly Ball, Crown Center, December 4, 1982, Tapes #1 & #2.

Note on Case: Tape #2, Warren Durrett Orch., Holly Ball 12/4/82, Crown Center. Note on Side A: Tape #2, Warren Durrett Orch., Holly Ball 12/4/82, Crown Center.Note inside envelope: Side #1-A, Holly Ball 12-4-82 Crown Center, 68. If Ever I Should Leave You- pretty fair, 85. Until the Real Thing Comes Along (vocal)- okay, 254. Prelude to a Kiss- good, 54. More (strings)- okay, 142. Dancing Medley- good, 58. We’ve Only Just Begun (Marsh)-good, 258. Days of Wine & Roses (strings)- “, 67. White X-mas- “, 143. Endless Love (vocal)- “, 194. The More I See You- “, 140. Shiny Stockings- “, 139. What I Did For Love (vocal)- “, Side #1-B, 199. X-mas Medley (vocals)- good (fast), 201. On a Clear Day (strings)- “, 203. X-mas Song (vocal)- “, 262. Medley- Melancholy Baby- “, 88. New York, New York- “, 145. Stardust (good)- all alto II, 316. Girl From Ipanema (vocal)- good, pause, 183. You Stepped Out of a Dream- “, 85. Until The Real Thing Comes Along (vocal)- “, 168. Nice Work- “, 196. Now That We’re in Love (vocal)- “, 179. Our Day Will Come- “. Side #2-A, Crown Center, Holly Ball, 12-4-82, All alto II on Miller, 68. If I Should Ever Leave You, big pause, 69. Mack the Knife- rough, 95. Day by Day (Nestico)- “, 176. Opus one- so-so, 165. I Got a Gal in Kalamazoo- fair, 62. Killing me Softly (vocal)- okay, 102. Who’s Sorry Now- good, 240. Moonlight Serenade- bad, bal. on reeds, Side #2-B, 195. “A” Train- good, 226. Sophisticated Lady- good, 106. Fun Time- good, 73. Goodnight medley, chaser. Note on envelope: NO, Holly Ball, Crown Center, December 4, 1982, Tapes #1 & #2.

Note on Case: Warren Durrett Orchestra, Mission Hills C.C., Saturday, December 11, 1983, Tape #1. Note on Side A: W. Durrett, MissionHillsC.C., 12/11/83, Tape #1-A. Note inside envelope: Tape #1, Side A, Drums a Little Heavy, Mission Hill C.C., Sat. Dec. 11, 1983, Sellards Juiced, Page -1-, 54. More.... little slow, so-so, 85. Until the Real Thing Comes Along (vocal)… good, 254. Prelude to a Kiss… “, 58. We’ve Only Just Begun (march) (too slow)… weak ending, 248. Cuckoo in Clock Medley… good, 67. White X-mas… good, 71. Come in From the Rain (vocal)… “, 258. Days of Wine and Roses… good, 143. Endless Love (vocal)… good, 32. More and More… weak piano… Okay, 140. Shiny Stockings… good, 11. Manhattan (vocal)… incomplete…good, Tape #1, Side B, 263. Time Medley… good, 216. Girl from Ipanema (good piano)… good, 124. Slaughter on 10th Ave… good, 199. X-Mas Medley (vocal)… good, 151. Well, Alright, Okay You Win (vocal)… good, cont., tape #1, Side B. Missions Hills C.C., 12-11-83, Page-2-, 147. Thru the Eyes of Love (vocal)… good, 88. New York, New York… good, 217. Poor Butterfly “Miller” Medley… good, 237. You and Me (2 Bones)… good, 210. All (Gibson solo)… good, 196. Now That We’re in Love (vocal) (weak intro)… good, 137. Lollipops and Roses (alto)… good. Tape #2, Side A, 176. Opus One… (weak ending)… good, 269. Tomorrow (vocal), no presence vocal… good, 78. Just the Way You Are… good, 42. Queen Bee… good, 49. Last Tango… fair, 61. Alley Cat… good, Sunny (vocal)… pretty good, Stardust… good, Tape #2, Side B, 102. Who’s Sorry Now (weak arch)… good, 252. Just One of Those Things… so-so, 68. If I Should Ever Leave You… pretty good, 69. Mack the Knife… “ “, See You in my Dreams… okay, “Goodnight”, Chaser, #. Note on envelope: Warren Durrett Orchestra, Mission Hills Country Club, Saturday, December 11, 1983.

Note on Case: Warren Durrett Orchestra, Mission Hills C.C., Saturday, December 11, 1983, Tape #2 (A&B). Note on Side A: W. Durrett, MissionHillsC.C., 12/11/83, Tape #2-A&B. Note inside envelope: Tape #1, Side A, Drums a Little Heavy, Mission Hill C.C., Sat. Dec. 11, 1983, Sellards Juiced, Page -1-, 54. More.... little slow, so-so, 85. Until the Real Thing Comes Along (vocal)… good, 254. Prelude to a Kiss… “, 58. We’ve Only Just Begun (march) (too slow)… weak ending, 248. Cuckoo in Clock Medley… good, 67. White X-mas… good, 71. Come in From the Rain (vocal)… “, 258. Days of Wine and Roses… good, 143. Endless Love (vocal)… good, 32. More and More… weak piano… Okay, 140. Shiny Stockings… good, 11. Manhattan (vocal)… incomplete…good, Tape #1, Side B, 263. Time Medley… good, 216. Girl from Ipanema (good piano)… good, 124. Slaughter on 10th Ave… good, 199. X-Mas Medley (vocal)… good, 151. Well, Alright, Okay You Win (vocal)… good, cont., tape #1, Side B. Missions Hills C.C., 12-11-83, Page-2-, 147. Thru the Eyes of Love (vocal)… good, 88. New York, New York… good, 217. Poor Butterfly “Miller” Medley… good, 237. You and Me (2 Bones)… good, 210. All (Gibson solo)… good, 196. Now That We’re in Love (vocal) (weak intro)… good, 137. Lollipops and Roses (alto)… good. Tape #2, Side A, 176. Opus One… (weak ending)… good, 269. Tomorrow (vocal), no presence vocal… good, 78. Just the Way You Are… good, 42. Queen Bee… good, 49. Last Tango… fair, 61. Alley Cat… good, Sunny (vocal)… pretty good, Stardust… good, Tape #2, Side B, 102. Who’s Sorry Now (weak arch)… good, 252. Just One of Those Things… so-so, 68. If I Should Ever Leave You… pretty good, 69. Mack the Knife… “ “, See You in my Dreams… okay, “Goodnight”, Chaser, #. Note on envelope: Warren Durrett Orchestra, Mission Hills Country Club, Saturday, December 11, 1983.

Note on Case: Warren Durrett Orch., Mission Hills C.C., Sat., Dec. 10, 1983, Sides 1-A, 1-B. Note on Side A: Warren Durrett Orch., Mission Hills C.C., Sat., Dec. 10, 1983, Tape #1, Sides A & B. Tape 1, Side A, Mission Hills C.C., Sat. Dec. 10, 1983, Pg. 1, 34. Rhapsody Theme, 252. So Rare… good, 194. The More I See You (Schad)… good, 203. Christmas Song (P. Wilson)… good, 265. Where or When (Schad)… good, 13. If I Had You (Drags a Little)… good, 196. Now That We’re in Love You (Pat Wilson)… good, 54. More… good, 204. Watch What Happens (Schad)… pretty good, 142. Dancing in the Dark Medley… good, 20. Cute… very good, Chaser #, No music on tape- 0 to 58 on Aiwa counter, 162. When I Take My Sugar To Tea- very good, 169. Reachin’ Out- Part, Tape 1, Side B, 3. She’s Funny That Way… good, 145. Stardust… very good, 52. Kansas City (Schad-Wilson), good, Solos: Marsh (wrong key), Sellensberger, Briggs, 139. What I Did For Love (Pat W.)… good, 158. Speak Low… very good, 184. Satin Doll (Schad vocal)… good, 71. Come in From the Rain (P. Wilson) Bit slow… good, 182. Life is Just A Bowl of Cherries, good vocal), very good, 88. New York, New York, good, 0. Chaser, #, 243. The Shadow of Your Smile (Schad), good, 0 to 62 (Aiwa), blank tape at end, #. Tape II, Side A, pg. 2, Mission Hills C.C., Sat. Dec. 10, 1983, You are the Sunshine of my Life (Wilson)- good, 85. Until the Real Thing Comes Along (Wilson)- good, 58. We’ve Only Just Begun (Marsh), little fast, good, 118. Proud Mary, pretty good. 0. Chaser, 0 to 95 (Aiwa) blank tape, 254. Prelude to a Kiss, good, 149. It’s A Wonderful World (Schad), good, 197. Imagination (Pat Wilson), 176. Opus One, intro only. Note on envelope: Good, 12-10-83, very good, 20. Cute, 162. Why I Take Sugar to Tea, 145. Stardust, 158. Speak Low, Warren Durrett Orchestra, Mission Hills C.C., Sat., Dec. 10, 1983, Tapes I & II.

Note on Case: Warren Durrett Orch., Mission Hills C.C., Sat., Dec. 10, 1983, Sides 2-A, 2-B. Note on Side A: Warren Durrett Orch., Mission Hills C.C., Sat., Dec. 10, 1983, Tape II, Side A, Side B Blank. Tape 1, Side A, Mission Hills C.C., Sat. Dec. 10, 1983, Pg. 1, 34. Rhapsody Theme, 252. So Rare… good, 194. The More I See You (Schad)… good, 203. Christmas Song (P. Wilson)… good, 265. Where or When (Schad)… good, 13. If I Had You (Drags a Little)… good, 196. Now That We’re in Love You (Pat Wilson)… good, 54. More… good, 204. Watch What Happens (Schad)… pretty good, 142. Dancing in the Dark Medley… good, 20. Cute… very good, Chaser #, No music on tape- 0 to 58 on Aiwa counter, 162. When I Take My Sugar To Tea- very good, 169. Reachin’ Out- Part, Tape 1, Side B, 3. She’s Funny That Way… good, 145. Stardust… very good, 52. Kansas City (Schad-Wilson), good, Solos: Marsh (wrong key), Sellensberger, Briggs, 139. What I Did For Love (Pat W.)… good, 158. Speak Low… very good, 184. Satin Doll (Schad vocal)… good, 71. Come in From the Rain (P. Wilson) Bit slow… good, 182. Life is Just A Bowl of Cherries, good vocal), very good, 88. New York, New York, good, 0. Chaser, #, 243. The Shadow of Your Smile (Schad), good, 0 to 62 (Aiwa), blank tape at end, #. Tape II, Side A, pg. 2, Mission Hills C.C., Sat. Dec. 10, 1983, You are the Sunshine of my Life (Wilson)- good, 85. Until the Real Thing Comes Along (Wilson)- good, 58. We’ve Only Just Begun (Marsh), little fast, good, 118. Proud Mary, pretty good. 0. Chaser, 0 to 95 (Aiwa) blank tape, 254. Prelude to a Kiss, good, 149. It’s A Wonderful World (Schad), good, 197. Imagination (Pat Wilson), 176. Opus One, intro only.Note on envelope: Good, 12-10-83, very good, 20. Cute, 162. Why I Take Sugar to Tea, 145. Stardust, 158. Speak Low, Warren Durrett Orchestra, Mission Hills C.C., Sat., Dec. 10, 1983, Tapes I & II. Note inside envelope: Westport Concert, 10-7-83, 34. Rhapsody, 232. Keepin’ Outa Mischief Now, 183. You Stepped Out of a Dream (Male vocal, 2nd chorus only), 196. Now That We’re in Love (girl vocal), 210. All (Gibson), 165. I Got a Gal in Kalamazoo, 265. Where or When (male vocal), 151. Well, Alright, Okay You Win (Girl vocal), 13. If I Had You, 164. Day by Day (male vocal), 139. What I Did for Love (girl vocal), 140. Shiny Stockings, 85. Until the Real Thing Comes Along (girl vocal), 138. Just Friends (male vocal), 226. Sophisticated Lady, 220. Que Sera Cha Cha, 260. Ruben’s Blues, 3. She’s Funny That Way, #, 78. Just the Way You are, 229. After the Lovin’, 225. The One I Love (male vocal), 143. Endless Love (girl vocal), 216. Girl from Ipanema (boy & girl), 168. Nice Work, 71. Come in From the Rain (girl vocal), 149. It’s A Wonderful World (male vocal).

Note on Case: Warren Durrett Orch., Westport Concert, Friday, October 7, 1983, Side 1 only. Note on cassette: Warren Durrett Orch., Westport Concert 6-8 p.m., 10/7/83. Note inside envelope: Westport Concert, 10-7-83, 34. Rhapsody, 232. Keepin’ Outa Mischief Now, 183. You Stepped Out of a Dream (Male vocal, 2nd chorus only), 196. Now That We’re in Love (girl vocal), 210. All (Gibson), 165. I Got a Gal in Kalamazoo, 265. Where or When (male vocal), 151. Well, Alright, Okay You Win (Girl vocal), 13. If I Had You, 164. Day by Day (male vocal), 139. What I Did for Love (girl vocal), 140. Shiny Stockings, 85. Until the Real Thing Comes Along (girl vocal), 138. Just Friends (male vocal), 226. Sophisticated Lady, 220. Que Sera Cha Cha, 260. Ruben’s Blues, 3. She’s Funny That Way, #, 78. Just the Way You are, 229. After the Lovin’, 225. The One I Love (male vocal), 143. Endless Love (girl vocal), 216. Girl from Ipanema (boy & girl), 168. Nice Work, 71. Come in From the Rain (girl vocal), 149. It’s A Wonderful World (male vocal). Note on envelope: NO, Warren Durrett Orch., Westport Concert, Friday, October 7, 1983.

Note on case: Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tape #1 (sides A & B). Note on Side A: Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tape #1, Side A. Note on Side B: Tape #1, Side B. Note inside envelope: Tape #1, Side A, Royals Stadium Club, 5-6-83, pg -1-, 49. Last Tango in Paris… good, 120. There’s a Small Hotel… good, 188. It’s DeLovely (vocal)… good, 55. What Are You Doing The Rest of Your Life… good (good marsh), 242. Small Talk… good, 56. Red Roses for a Blue Lady… pretty good, 187. Sunny (vocal)… good, #, Space, 95. Day by Day, good, 162. When I Take My Sugar to Tea… good, 216. Girl from Ipanema (vocal) (error in reeds)… good, 111. Shangri-La… good, 68. If I Should Ever Leave You… good, Side 1-B, 3. She’s Funny That Way… good, 143. Endless Love (vocal)… good, 252. So Rare… good, 197. Imagination (vocal), sloppy cut off, good, 210. All (Gibson)… very good, 30. Release Me (vocal)… good, 136. Take Me Out To the Ball Game… fair, 0. Chaser, #. Pg 2, Royals Stadium Club, 5-6-83, Continued Tape #1, Side B, 157. The Continental (Missed 1st end)… good, 6. I Have Dreamed (Gibson), sloppy ending, good, 240. Moonlight Serenade, sloppy ending, good, 161. Don’t Worry About Me (vocal)… good, 249. String of Pearls… good, Tape #2, Side A, 161. Ruben’s Blues (Great B. Crain solo)… good, 98. Thank Heaven… Fair, I’ll See You in my Dreams (vocal), O. Chaser, Goodnight, 133. This Guy’s in Love- ending only, 140. Shiny Stockings… very good, 182. Life is Just a Bowl of Cherries… good, 213. One Night of Love… fair, 85. Until the Real Thing Comes Along (vocal)… very good, 226. Sophisticated Lady… good, 193. In the Mood… good, 0. Chaser, Tape #2, Side B, 108. Night Train… good, 71. Here Comes the Rain (vocal)… good, 165. I Got a Girl in Kalamazoo, sax balance not good), good, 13. If I Had You… good, 145. Stardust… good, 66. One O’Clock Jump… good, 70. April in Paris Medley… good, #. Note on envelope: Good, Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tapes #1 & #2.

Note on case: Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tape #2. Note on Side A: Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tape #2, Side A. Note on Side B: Tape #2, Side B. Note inside envelope: Tape #1, Side A, Royals Stadium Club, 5-6-83, pg -1-, 49. Last Tango in Paris… good, 120. There’s a Small Hotel… good, 188. It’s DeLovely (vocal)… good, 55. What Are You Doing The Rest of Your Life… good (good marsh), 242. Small Talk… good, 56. Red Roses for a Blue Lady… pretty good, 187. Sunny (vocal)… good, #, Space, 95. Day by Day, good, 162. When I Take My Sugar to Tea… good, 216. Girl from Ipanema (vocal) (error in reeds)… good, 111. Shangri-La… good, 68. If I Should Ever Leave You… good, Side 1-B, 3. She’s Funny That Way… good, 143. Endless Love (vocal)… good, 252. So Rare… good, 197. Imagination (vocal), sloppy cut off, good, 210. All (Gibson)… very good, 30. Release Me (vocal)… good, 136. Take Me Out To the Ball Game… fair, 0. Chaser, #. Pg 2, Royals Stadium Club, 5-6-83, Continued Tape #1, Side B, 157. The Continental (Missed 1st end)… good, 6. I Have Dreamed (Gibson), sloppy ending, good, 240. Moonlight Serenade, sloppy ending, good, 161. Don’t Worry About Me (vocal)… good, 249. String of Pearls… good, Tape #2, Side A, 161. Ruben’s Blues (Great B. Crain solo)… good, 98. Thank Heaven… Fair, I’ll See You in my Dreams (vocal), O. Chaser, Goodnight, 133. This Guy’s in Love- ending only, 140. Shiny Stockings… very good, 182. Life is Just a Bowl of Cherries… good, 213. One Night of Love… fair, 85. Until the Real Thing Comes Along (vocal)… very good, 226. Sophisticated Lady… good, 193. In the Mood… good, 0. Chaser, Tape #2, Side B, 108. Night Train… good, 71. Here Comes the Rain (vocal)… good, 165. I Got a Girl in Kalamazoo, sax balance not good), good, 13. If I Had You… good, 145. Stardust… good, 66. One O’Clock Jump… good, 70. April in Paris Medley… good, #. Note on envelope: Good, Warren Durrett Orchestra, Royals Stadium Club, Friday, May 6, 1983, Tapes #1 & #2.

Note on Case: Tape #1, Side A & B, Warren Durrett Orch., Missions Hills C.C.,, Fri., Dec. 10, 1982. Note on Side A: Tape #1-A, Warren Durrett Orch., Mission Hills C.C., Fri., Dec. 10, 1982. Note on Side B: Tape #1-B, Warren Durrett Orch., Missions Hills C.C., Fri., Dec. 10, 1982. Note inside envelope: Tape #1-A, Fri. 12-10-82, Mission Hills C.C., Page One, 85. Until the Real Thing (vocal), 1 goof, good, 254. Prelude to a Kiss… very good, “, 125. Polka Dots and Moonbeams… “, 67. White X-mas… “, 140. Shiny Stockings… “, 269. Tomorrow (vocal)… pretty good, 248. Cuckoo in Clock Medley… “ “, 58. We’ve Only Just Begun (alto) (bit slow)… good, 111. Shangri-La… fair, 217. Poor Butterfly Medley… pretty good, 0. Chaser, #, 71. Come in From the Rain (vocal)… good, 165. I Got a Gal in Kalamazoo… very good, 61. Alley Cat… “ “ (End Tape in Middle), Tape #1-B, 90. What is There to Say… good, 145. Stardust (1 goof)…. very good, 68. If I Should Ever Leave You… (too slow)… okay, 148. The Way We Were (vocal) (bad ending)… very good, 88. New York, New York (Sollenberger), trpt. goof… good, 5. Anniversary Waltz, 124. Slaughter on 10th Ave… good, 199. X-Mas Medley (vocal), Tape #1-B (continued), page 2, Fri. 12-10-82, Mission Hills, C.C., 54. More (good piano)… good, 139. What I Did For Love (vocal)… pretty good, 293. Woodchoppers Ball… good, chaser, #, Tape 1-A, 263. Time Medley… good, 204. Mister Bones… rough, 143. Endless Love (vocal)… good, 176. Opus One… good, 192. Where or When medley… very good, 168. Nice Work… v.g… “ “, 151. Well, Alright, Okay You Win (vocal)… “ “, #, 161. Don’t Worry ‘Bout Me (vocal)… very good, 216. Girl from Ipanema (vocal)… “ “, 3. In a Mellow Tone… very bad, 6. I Have Dreamed… reeds rough, 190. Love Walked In… quite good, I’ll See You in my Dreams, 73. Goodnight Medley, chaser, #. Note on Envelope: Tape #1-A & B, Tape #2-A, Warren Durrett Orchestra, Mission Hills Country Club, Friday, December 10, 1982.

Note on Case: Tape #2-A, Warren Durrett Orch., Missions Hills C.C.,, Fri., Dec. 10, 1982. Note on Side A: Tape #2-A, Warren Durrett Orch., Mission Hills C.C., Fri., Dec. 10, 1982. Note inside envelope: Tape #1-A, Fri. 12-10-82, Mission Hills C.C., Page One, 85. Until the Real Thing (vocal), 1 goof, good, 254. Prelude to a Kiss… very good, “, 125. Polka Dots and Moonbeams… “, 67. White X-mas… “, 140. Shiny Stockings… “, 269. Tomorrow (vocal)… pretty good, 248. Cuckoo in Clock Medley… “ “, 58. We’ve Only Just Begun (alto) (bit slow)… good, 111. Shangri-La… fair, 217. Poor Butterfly Medley… pretty good, 0. Chaser, #, 71. Come in From the Rain (vocal)… good, 165. I Got a Gal in Kalamazoo… very good, 61. Alley Cat… “ “ (End Tape in Middle), Tape #1-B, 90. What is There to Say… good, 145. Stardust (1 goof)…. very good, 68. If I Should Ever Leave You… (too slow)… okay, 148. The Way We Were (vocal) (bad ending)… very good, 88. New York, New York (Sollenberger), trpt. goof… good, 5. Anniversary Waltz, 124. Slaughter on 10th Ave… good, 199. X-Mas Medley (vocal), Tape #1-B (continued), page 2, Fri. 12-10-82, Mission Hills, C.C., 54. More (good piano)… good, 139. What I Did For Love (vocal)… pretty good, 293. Woodchoppers Ball… good, chaser, #, Tape 1-A, 263. Time Medley… good, 204. Mister Bones… rough, 143. Endless Love (vocal)… good, 176. Opus One… good, 192. Where or When medley… very good, 168. Nice Work… v.g… “ “, 151. Well, Alright, Okay You Win (vocal)… “ “, #, 161. Don’t Worry ‘Bout Me (vocal)… very good, 216. Girl from Ipanema (vocal)… “ “, 3. In a Mellow Tone… very bad, 6. I Have Dreamed… reeds rough, 190. Love Walked In… quite good, I’ll See You in my Dreams, 73. Goodnight Medley, chaser, #. Note on Envelope: Tape #1-A & B, Tape #2-A, Warren Durrett Orchestra, Mission Hills Country Club, Friday, December 10, 1982.

Note on Side A: Side A, NAJE concert tap,e Hyatt Hotel, K.C.Mo., Thurs., Jan. 13, 1983. Note on Side B: Side B. Note inside envelope: Side #1-A, much echo, Naje Concert Tape, Hyatt Hotel, Thur Jan. 13, 1983, 232. Keepin Outa Mischief Now- very good, 225. The One I Love Belongs to Somebody Else (Llloyd Schad), 90. What is There to Say (Gibson), 102. Who's Sorry Now, All of Me, These Foolish Things, Jumpin' at the Woodside, Buddy Tate (tenor). Side #1-B, 195. Take the "A" Train- bad last note, 175. Foggy Day- very good, 226. Sophisticated Lady, 138. Just Friends (Lloyd Schad), very good, #. Note on envelope: Warren Durrett Orchestra, Naje Concert, Hyatt Hotel, K.C. Mo., Thurs., Jan. 13, 1983.

Note on Case: Warren Durrett Orch., Adams-Mark Hotel, October 21, 1983. Note on Side A: Warren Durrett Orch., Adams-Mark Hotel, Oct. 21, 1983. Note inside envelope: Fri. 10-21-83, Adams Mark, Prop Mike Pick Ups, 34. Rhapsody, 265. Where or When (Male Vocal), 217. Poor Butterfly Medley, 148. The Way We Were (girl vocal), pretty good, 31. More and More, 45. Baubles and Bangles (male vocal), 230. Boy Next Door, sloppy start in tempo, 125. Polka Dots and Moonbeams, 250. Don’t Be That Way, not too bad, 139. What I Did For Love (girl vocal), very good, 220. Que Sera Cha-Cha, 259. I’ll Never Smile Again (male vocal), good, 254. Prelude to a Kiss, fair (too fast), 193. In the Mood, # 137. Lollipops and Roses [struck], 196. Now That We’re in Love (girl vocal) [struck], 240. Moonlight Serenade (pretty good), 149. It’s a Wonderful World (male vocal), 182. Life is Just a Bowl of Cherries, 88. New York, New York- good, solo down, 143. Endless Love (girl vocal), good- low vocal, 159. Bandstand Boogie- good, 258. Days of Wine and Roses (male vocal- 1st and 3rd chorus), good instr, 69. Mac the Knife (male vocal start), fair, 53. Jealous Cha-Cha, 252. So Rare, 213 & 5. Waltz Medley (piano or girl vocal 2nd chos.), 151. Well Alright, Okay, You Win (girl voal) [struck], #.

Note on Side A: Side #1-A, Warren Durrett Orch., Oakwood C.C., 4/16/83. Note inside envelope: Tape Side #1-A, Oakwood C.C., Sat. Apr. 16, ’83, pg. 1, 85. Until the Real Thing Comes Along (vocal), good, 13. If I Had You (flutes), good, 119. Go Fill Your Dreams (weak pick up on trumpets), fair, 168. Nice Work If You Can Get It, good, 139. What I Did For Love (vocal) (poor bal. on Miller Saxes), but good, 252. SO Rare, good, 151. Well Alright, Okay, You Win (vocal), good, 0. Chaser, 103. When I Fall in Love (alto), Ousley, good, 71. Come in From the Rain (vocal), good bal, good, 4. Skyliner (rough intro), good, 58. We’ve Only Just Begun (alto), good. Tape Side #1-B, 58. We’ve Only Just Begun (finish), good, 196. Now That We’re in Love (vocal) (too much alto II), good, 44. Where or When Medley, “ “, so-so, 158. Speak Low, good, 0. Chaser, 182. Life is Just a Bowl of Cherries, fair, very good, 254. Prelude to Kiss, very good, (cont. on pg. 2), Side #1-B, Cont., Pg. 2, Oakwood C.C., 4-16-83, 3. She’s Funny That Way… very good, 145. Stardust (too much alto II), fair, 84. Please Be Kind (vocal), good, 162. When I Take My Sugar to Tea, good, 143. Endless Love (vocal), good, Memories Of You, Poor Butterfly, Moon Glow, Larry Bunsick- clarinet w/ rhythm. Side #2-A, 157. The Continental, good, 269. Tomorrow (vocal), good, 140. Shiny Stockings, good, 147. Thru the Eyes of Love (vocal), good, 78. Stompin’ at the Savoy (Bunsick), bad, 135. You Go to my Head (too fast), rough, 78. Just the Way You Were (trumpets out on part0 (good crain solo), fair, 54. More, fair, 68. If I Should Ever Leave You (poor sax balance), so-so, 201. On a Clear Day (Ousley flute), good, 231. The Masquerade is Over (vocal), good, Side #2-B, 6. I Have Dreamed (Gibson), good, 36. Out of Nowhere (vocal), good, 73.c. See You in my Dreams (rough ending), okay, 0. Chaser, #. Note on envelope: Warren Durrett Orchestra, Leawood Country Club, Sat. April 16, 1983.

Note on Side A: Side #2-A, Warren Durrett Orch., Oakwood C.C., 4/16/83. Note on Side B: Side #2-B. Note inside envelope: Tape Side #1-A, Oakwood C.C., Sat. Apr. 16, ’83, pg. 1, 85. Until the Real Thing Comes Along (vocal), good, 13. If I Had You (flutes), good, 119. Go Fill You Dreams (weak pick up on trumpets), fair, 168. Nice Work If You Can Get It, good, 139. What I Did For Love (vocal) (poor bal. on Miller Saxes), but good, 252. SO Rare, good, 151. Well Alright, Okay, You Win (vocal), good, 0. Chaser, 103. When I Fall in Love (alto), Ousley, good, 71. Come in From the Rain (vocal), good bal, good, 4. Skyliner (rough intro), good, 58. We’ve Only Just Begun (alto), good. Tape Side #1-B, 58. We’ve Only Just Begun (finish), good, 196. Now That We’re in Love (vocal) (too much alto II), good, 44. Where or When Medley, “ “, so-so, 158. Speak Low, good, 0. Chaser, 182. Life is Just a Bowl of Cherries, fair, very good, 254. Prelude to Kiss, very good, (cont. on pg. 2), Side #1-B, Cont., Pg. 2, Oakwood C.C., 4-16-83, 3. She’s Funny That Way… very good, 145. Stardust (too much alto II), fair, 84. Please Be Kind (vocal), good, 162. When I Take My Sugar to Tea, good, 143. Endless Love (vocal), good, Memories Of You, Poor Butterfly, Moon Glow, Larry Bunsick- clarinet w/ rhythm. Side #2-A, 157. The Continental, good, 269. Tomorrow (vocal), good, 140. Shiny Stockings, good, 147. Thru the Eyes of Love (vocal), good, 78. Stompin’ at the Savoy (Bunsick), bad, 135. You Go to my Head (too fast), rough, 78. Just the Way You Were (trumpets out on part0 (good crain solo), fair, 54. More, fair, 68. If I Should Ever Leave You (poor sax balance), so-so, 201. On a Clear Day (Ousley flute), good, 231. The Masquerade is Over (vocal), good, Side #2-B, 6. I Have Dreamed (Gibson), good, 36. Out of Nowhere (vocal), good, 73.c. See You in my Dreams (rough ending), okay, 0. Chaser, #. Note on envelope: Warren Durrett Orchestra, Leawood Country Club, Sat. April 16, 1983, NO.

Note on Case: Warren Durrett Orchestra, Friday, March 9, 1984, Tape #2- Side A, Side B Blank. Note on Side A: Warren Durrett Orch., Fri. March 9, 1984, Tape II-Side A (B blank). Note inside: Fri., March 9, 1984, Adams-Mark Hotel, Side A Only, 164. Day by Day (Schad)… good, 143. Endless Love (Pat Wilson)… fair, 144. Meditation… pretty good, 176. Opus One… fair, 57. For Once in my Life (Lloyd Schad)… good, 202. Love Will Keep us Together (Pat Wilson)… good, 63. Misty (Marsh DeMuynck alto)… very good, 52. Kansas City (part) Schad vocal w/ rhythm, Marv. Hart Tmb. Solo, Sollenberger, BTHRT, #. Note on Side One Label: NO, Warren Durrett Orchestra, Friday, March 9, 1984, Tape I- Side A, only (partial- 8 tunes only).

Note on Side A/Case: Warren Durrett Orch., Folly Theater, Sat. June 4, 1983, 1st Show-7:00 P.M. Note inside envelope (Original program): KJLA, The Original Four Aces, featuring Al Alberts, accompanied by “The Music of Your Life” orchestra, June 4th, 1983, Folly Theater. Folly Theater, 6/4/83, KJLA, W.D. Orchestra, Introduction by John Bilyeu, KJLA Public Affairs Director V 6-10 Host, Warren Durrett and the “Music of Your Life” Orchestra: She’s Funny That Way, arranged by Warren Durrett, featuring trumpet solo by Richard Wilson and tenor sax solo by Bill Crain. Now That We’re in Love, vocals by Pat Wilson, reed section uses a Glenn Miller style. What Is There to Say, arranged by John Pope, features trumpeter Sherman Gibson. Nice Work If You Can Get It, arranged by Warren Durrett, trombone solo by Arch Martin. Endless Love, vocals by Pat Wilson, arranged by Warren Durrett. Life is Just a Bowl of Cherries, styled in a shuffle rhythm like the Jan Savitt band of the 1940’s. Until the Real Thing Comes Along, vocals by Pay Wilson, arranged by Warren Durrett. Introduction by Wilton R. Osborn, Il, KJLA President and General Manager. Note on envelope: Lots of Hall Echo, Folly June, ’83, 9:30, She’s Funky That Way, 7:00 Show: Pretty good, better ten & trp. not pro, 9:30 Show: Good- fair solos, Now That We’re in Love, 7:00 Show: very good, good ten, 9:30 Show: very good- fair ten., What Is There to Say, 7:00 Show: pretty good first two choruses, 9:30 Show: good, Nice Work, 7:00 Show: pretty good first two choruses, 9:30 Show: good, Endless Love, 7:00 Show: bad intro- fair, 9:30 Show: good, but 1 bad vocal note, Life Is Just a Bowl of Cherries, 7:00 Show: no, 9:30 Show: very good, Until the Real Thing Comes Along, 7:00 Show: almost very good, 9:30 Show: very good, (Fats Waller) Keepin’ Outa Mischief Now, 7:00 Show: Very good, great arch good last chord, 9:30 Show: great take & arch but omit last chord. Note on envelope: Warren Durrett Orch., Folly Theater, June 4, 1983, 1/2 hr. 7:00 P.M. Show, and 1/2 hr. 9:30 P.M. Show.

Note on Side A/Case: Warren Durrett Orch., Folly Theater, Sat. June 4, 1983, 1st 1/2 hr. 9:30 P.M. Show. Note inside envelope (Original program): KJLA, The Original Four Aces, featuring Al Alberts, accompanied by “The Music of Your Life” orchestra, June 4th, 1983, Folly Theater. Folly Theater, 6/4/83, KJLA, W.D. Orchestra, Introduction by John Bilyeu, KJLA Public Affairs Director & 6-10 Host, Warren Durrett and the “Music of Your Life” Orchestra: She’s Funny That Way, arranged by Warren Durrett, featuring trumpet solo by Richard Wilson and tenor sax solo by Bill Crain. Now That We’re in Love, vocals by Pat Wilson, reed section uses a Glenn Miller style. What Is There to Say, arranged by John Pope, features trumpeter Sherman Gibson. Nice Work If You Can Get It, arranged by Warren Durrett, trombone solo by Arch Martin. Endless Love, vocals by Pat Wilson, arranged by Warren Durrett. Life is Just a Bowl of Cherries, styled in a shuffle rhythm like the Jan Savitt band of the 1940’s. Until the Real Thing Comes Along, vocals by Pay Wilson, arranged by Warren Durrett. Introduction by Wilton R. Osborn, Il, KJLA President and General Manager. Note on envelope: Lots of Hall Echo, Folly June, ’83, 9:30, She’s Funky That Way, 7:00 Show: Pretty good, better ten & trp. not pro, 9:30 Show: Good- fair solos, Now That We’re in Love, 7:00 Show: very good, good ten, 9:30 Show: very good- fair ten., What Is There to Say, 7:00 Show: pretty good first two choruses, 9:30 Show: good, Nice Work, 7:00 Show: pretty good first two choruses, 9:30 Show: good, Endless Love, 7:00 Show: bad intro- fair, 9:30 Show: good, but 1 bad vocal note, Life Is Just a Bowl of Cherries, 7:00 Show: no, 9:30 Show: very good, Until the Real Thing Comes Along, 7:00 Show: almost very good, 9:30 Show: very good, (Fats Waller) Keepin’ Outa Mischief Now, 7:00 Show: Very good, great arch good last chord, 9:30 Show: great take & arch but omit last chord.

Note on Side A: KJLA New Years 1985-86, side one, Note on Side B: KJLA New Years 85-86, side 2. Note on envelope: New Yrs. Eve 1985, KJLA Broadcast.

Note on Side A: KJLA New Years 1985-86, side 3.

Note on cassette/Side A: Fri. October 5, 1984, Muehlebach Imperial Blrm., Warren Durrett Orch., Tape #1, Sides A & B. Note inside envelope: Warren Durrett Orch.-Muehlebach Hotel, 10/5/84. Side 11. Manhattan, little fast, part, 6. I Have Dreamed- bass got lost, 69. Mac, The Knife, 182. Life Is Just a Bowl of Cherries, 169. Its Been a Long, Long Time, bit fast, 90. What Is There to Say, 165. I Got a Gal in Kalamazoo, 145. Stardust- piano goof, 196. Now That We’re in Love, 27. Mood Indigo, part, 228. What’ll I Do, 139. What I Did For Love, 154. Things Ain’t What They Used to Be, 88. New York, Side 2: 68. If I Should Ever Leave You, 202. Love Will keep Us Together, 161. Don’t Worry ‘Bout Me, 115. Tangerine (optional male vocal),143. Endless Love, 218. Take the A Train, 122. Someday My Prince Will Come, 206. Pepito Cha-Cha, 63. Misty, last part, 13. If I had You, 3. She’s Funny That Way, 168. Contrasts, last part, 238. Contrasts, last part, 188. It’s DeLovely, 71. Come In From the Rain, 78. Just The Way You Are, start only. Envelope includes three track listings: one handwritten, two typewritten. Handwritten copy includes some discrepancies: Tape 1, 106. Fun Time, 113. Let’s Dance. Tape Two: 212. Pennies From Heaven, 30. Release Me, 114. Embraceable You, 85. Until the Real Thing Comes Along. The two typewritten ones are identical except for handwritten notes. Note on envelope: Friday, October 5, 1984, Muehlebach Hotel Imperial, Warren Durrett Orchestra, Tapes 1 & 2- Sides A & B, also tape master.

Note on cassette/Side A: Fri. October 5, 1984, Muehlebach Imperial Blrm., Warren Durrett Orch., Tape #2, Sides A & B. Note inside envelope: Warren Durrett Orch.-Muehlebach Hotel, 10/5/84. Side 11. Manhattan, little fast, part, 6. I Have Dreamed- bass got lost, 69. Mac, The Knife, 182. Life Is Just a Bowl of Cherries, 169. Its Been a Long, Long Time, bit fast, 90. What Is There to Say, 165. I Got a Gal in Kalamazoo, 145. Stardust- piano goof, 196. Now That We’re in Love, 27. Mood Indigo, part, 228. What’ll I Do, 139. What I Did For Love, 154. Things Ain’t What They Used to Be, 88. New York, Side 2: 68. If I Should Ever Leave You, 202. Love Will keep Us Together, 161. Don’t Worry ‘Bout Me, 115. Tangerine (optional male vocal),143. Endless Love, 218. Take the A Train, 122. Someday My Prince Will Come, 206. Pepito Cha-Cha, 63. Misty, last part, 13. If I had You, 3. She’s Funny That Way, 168. Contrasts, last part, 238. Contrasts, last part, 188. It’s DeLovely, 71. Come In From the Rain, 78. Just The Way You Are, start only. Envelope includes three track listings: one handwritten, two typewritten. Handwritten copy includes some discrepancies: Tape 1, 106. Fun Time, 113. Let’s Dance. Tape Two: 212. Pennies From Heaven, 30. Release Me, 114. Embraceable You, 85. Until the Real Thing Comes Along. The two typewritten ones are identical except for handwritten notes.Note on envelope: Friday, October 5, 1984, Muehlebach Hotel Imperial, Warren Durrett Orchestra, Tapes 1 & 2- Sides A & B, also tape master

Note on Side A: Warren Durrett Orch., Muelhebach Hotel, 10/5/84, 2nd Generation Tape Master, Side 1. Note inside envelope: Warren Durrett Orch.-Muehlebach Hotel, 10/5/84. Side 11. Manhattan, little fast, part, 6. I Have Dreamed- bass got lost, 69. Mac, The Knife, 182. Life Is Just a Bowl of Cherries, 169. Its Been a Long, Long Time, bit fast, 90. What Is There to Say, 165. I Got a Gal in Kalamazoo, 145. Stardust- piano goof, 196. Now That We’re in Love, 27. Mood Indigo, part, 228. What’ll I Do, 139. What I Did For Love, 154. Things Ain’t What They Used to Be, 88. New York, Side 2: 68. If I Should Ever Leave You, 202. Love Will keep Us Together, 161. Don’t Worry ‘Bout Me, 115. Tangerine (optional male vocal),143. Endless Love, 218. Take the A Train, 122. Someday My Prince Will Come, 206. Pepito Cha-Cha, 63. Misty, last part, 13. If I had You, 3. She’s Funny That Way, 168. Contrasts, last part, 238. Contrasts, last part, 188. It’s DeLovely, 71. Come In From the Rain, 78. Just The Way You Are, start only. Envelope includes three track listings: one handwritten, two typewritten. Handwritten copy includes some discrepancies: Tape 1, 106. Fun Time, 113. Let’s Dance. Tape Two: 212. Pennies From Heaven, 30. Release Me, 114. Embraceable You, 85. Until the Real Thing Comes Along. The two typewritten ones are identical except for handwritten notes. Note on envelope: Friday, October 5, 1984, Muehlebach Hotel Imperial, Warren Durrett Orchestra, Tapes 1 & 2- Sides A & B, also tape master

Note on Case: Warren Durrett Orchestra, Adams Mark Hotel, New Years Eve, 1985, 0 to 3563. Note on Cassette: Durrett Band, 12/31/85. Note on Envelope: Video Tape Durrett Band, 12-31-85.

Note on Side A: New Years Eve, 12/31/84, Adams Mark Hotel, Edited 2nd Generation, Master Sides 1 & 2. Note inside envelope: Pat Wilson vocals, Tape 1, Side A, W.D. Orch., New Years Eve 1984, Broadcast from Adams-Mark starting 10:30 p.m., pg. 1, Rhapsody Theme, good, Poor Butterfly Medley, little rough, It’s Been a Long, Long Time (vocal), pretty good, Polka Dots and Moonbeams, “ “, I Would Do Anything For You (Dix Solo), “ “, Now That We’re In Love (Vocal) (Dix solo), good, So Rare (P. Wilson solo), good but drums rushing, Shiny Stockings (Arch & Dix), good, What I Did For Love (vocal), good, What Is There to Say (Gibson), good, Red Roses for a Blue Lady, pretty good, What’ll I Do (vocal), “ “, Take the A Train (Wilson-Dix), good, Opus One, good, KJLA chaser, good, #, Tape 1, Side B, Talk--, 11:30 P.M., Until the Real Thing Comes Along (vocal), good, In the Mood (Martin-Dix), Pepito Cha-Cha, good, Pennies From Heaven (vocal-Arch), very good, Mac the Knife, very good, Alley Cat, “ “, Bandstand Boogie, good, Kansas City (vocal) Dix-Martin, good, Love Will Keep Us Together (vocal), Arch, good, Auld Lang Syne, Things Ain’t What They Used to Be, part only, pretty good, Tape 2, Side A, Things Ain’t What They Used to Be- rest- good, Don’t Worry About Me (vocal), very good, Stardust (Gibson), fair, Straight Ahead (Dix), good, KJLA Chaser. Note on envelope: New Yrs.- '84, Warren Durrett Orchestra, KJLA broadcast live from Adams-Mark Hotel 12/31/84, 10:30 p.m. to 12:15 a.m.

Note on Side A: Tape #2- New Years Eve at Adams-Mark Hotel, 12/31/84, Warren Durrett Orch., taped by Jan Durrett. Note on case: New Years Eve, 12/31/84, Adams Mark Hotel- Edited 2nd Generation Master (Warren Durrett Orch.) Note inside envelope: Pat Wilson vocals, Tape 1, Side A, W.D. Orch., New Years Eve 1984, Broadcast from Adams-Mark starting 10:30 p.m., pg. 1, Rhapsody Theme, good, Poor Butterfly Medley, little rough, It’s Been a Long, Long Time (vocal), pretty good, Polka Dots and Moonbeams, “ “, I Would Do Anything For You (Dix Solo), “ “, Now That We’re In Love (Vocal) (Dix solo), good, So Rare (P. Wilson solo), good but drums rushing, Shiny Stockings (Arch & Dix), good, What I Did For Love (vocal), good, What Is There to Say (Gibson), good, Red Roses for a Blue Lady, pretty good, What’ll I Do (vocal), “ “, Take the A Train (Wilson-Dix), good, Opus One, good, KJLA chaser, good, #, Tape 1, Side B, Talk--, 11:30 P.M., Until the Real Thing Comes Along (vocal), good, In the Mood (Martin-Dix), Pepito Cha-Cha, good, Pennies From Heaven (vocal-Arch), very good, Mac the Knife, very good, Alley Cat, “ “, Bandstand Boogie, good, Kansas City (vocal) Dix-Martin, good, Love Will Keep Us Together (vocal), Arch, good, Auld Lang Syne, Things Ain’t What They Used to Be, part only, pretty good, Tape 2, Side A, Things Ain’t What They Used to Be- rest- good, Don’t Worry About Me (vocal), very good, Stardust (Gibson), fair, Straight Ahead (Dix), good, KJLA Chaser. Note on envelope: New Yrs.- '84, Warren Durrett Orchestra, KJLA broadcast live from Adams-Mark Hotel 12/31/84, 10:30 p.m. to 12:15 a.m.

Note on Case/Side A: Warren Durrett Orch., Sat., April 5, 1986, Kansas City Club, Tape #1. Note inside envelope: Kansas City Club, Sat. Apr. 5, 1986, Tape I, Side A, pg -1-, Sound Quality of Recording, not too good, little vocal pick up, 169. It’s Been a Long, Long Time, clean saxes, good, 13. If I Had You, good, 28. At Last, good sax bal. & intonation, good, 196. Now That We’re in Love, good, 63. Misty (Marsh.), good, 206. Pepito Cha-Cha, very good, 161. Don’t Worry ‘Bout Me, “ “, 4. Skyliner, sax bal?, “ “, 0. Chaser, #, Bal. of Side A- no music- just intermission sounds, mike between Alto I & Ten. II, Tape I Side B, Kansas City Club, Pg -2-, 59. Bad, Bad LeRoy Brown, good, 222. Tuxedo Junction, pretty fair, 248. Cuckoo in Clock Medley, so-so, 139. What I Did For Love, good, 69. Mac the Knife, good, 228. What’ll I Do, very good, 46. Wang Wang Blues, pretty good, 240. Moonlight Serenade, very good, 252. So Rare, “ “, 201. On a Clear Day (Caldwell Fl.), “ “, 151. Well, Alright, Okay You Win, “ “, 0. Chaser, #, Bal. of Side B bereft of music. Tape II, Side A, K.C. Club, 4-5-86, pg -3-, 56. Red Roses, good, 218. A Train, good, 122. Someday My Prince Will Come, good, 85. Until the Real Thing Comes Along, good, 50. I Should Do Anything For You (no 2-beat drums), “ “, 148. The Way We Were, “ “, 220. Que Sera Sera Cha Cha, pretty good, 217. Poor Butterfly Medley, “ “, 0. Chaser, #, Bal. of Tape Blank, Tape II, Side B, Kansas City Club, 4-5-86, pg -4-, Blank early part of tape, 247. Peg O’ My Heart, good arch, good, 270. I’ll Be Around, okay, 115. Tangerine, Marsh, Gibson, Caldwell, Chos., pretty good, 157. The Continental, good, 135. You Go to my Head, good, 52. Kansas City (Lohman, Caldwell, Martin), good, 231. The Masquerade is Over, pretty good, #. Note on envelope: Warren Durrett Orch., Sat., April 5, 1986, Kansas City Club, Tapes 1 & 2.

Note on Case/Side A: Warren Durrett Orch., Sat., April 5, 1986, Kansas City Club, Tape #2. Note inside envelope: Kansas City Club, Sat. Apr. 5, 1986, Tape I, Side A, pg -1-, Sound Quality of Recording, not too good, little vocal pick up, 169. It’s Been a Long, Long Time, clean saxes, good, 13. If I Had You, good, 28. At Last, good sax bal. & intonation, good, 196. Now That We’re in Love, good, 63. Misty (Marsh.), good, 206. Pepito Cha-Cha, very good, 161. Don’t Worry ‘Bout Me, “ “, 4. Skyliner, sax bal?, “ “, 0. Chaser, #, Bal. of Side A- no music- just intermission sounds, mike between Alto I & Ten. II, Tape I Side B, Kansas City Club, Pg -2-, 59. Bad, Bad LeRoy Brown, good, 222. Tuxedo Junction, pretty fair, 248. Cuckoo in Clock Medley, so-so, 139. What I Did For Love, good, 69. Mac the Knife, good, 228. What’ll I Do, very good, 46. Wang Wang Blues, pretty good, 240. Moonlight Serenade, very good, 252. So Rare, “ “, 201. On a Clear Day (Caldwell Fl.), “ “, 151. Well, Alright, Okay You Win, “ “, 0. Chaser, #, Bal. of Side B bereft of music. Tape II, Side A, K.C. Club, 4-5-86, pg -3-, 56. Red Roses, good, 218. A Train, good, 122. Someday My Prince Will Come, good, 85. Until the Real Thing Comes Along, good, 50. I Should Do Anything For You (no 2-beat drums), “ “, 148. The Way We Were, “ “, 220. Que Sera Sera Cha Cha, pretty good, 217. Poor Butterfly Medley, “ “, 0. Chaser, #, Bal. of Tape Blank, Tape II, Side B, Kansas City Club, 4-5-86, pg -4-, Blank early part of tape, 247. Peg O’ My Heart, good arch, good, 270. I’ll Be Around, okay, 115. Tangerine, Marsh, Gibson, Caldwell, Chos., pretty good, 157. The Continental, good, 135. You Go to my Head, good, 52. Kansas City (Lohman, Caldwell, Martin), good, 231. The Masquerade is Over, pretty good, #. Note on envelope: Warren Durrett Orch., Sat., April 5, 1986, Kansas City Club, Tapes 1 & 2.

Note on case/Side A: Edited Tape Master, Warren Durrett Orch. Retirement Party, Marriott 6/27/86. Envelope includes original setlist as well as photocopied setlist with handwritten notes. Note inside envelope: Side A, 34. Rhapsody Theme- No, 217. Poor Butterfly Medley- no, 11. Manhattan- very good, 164. Day by Day- good, (Distant Schad), violins, 201. On a Clear Day- very good (""), weak pno. Intro, 140. Shiny Stockings- very good, Arch & Caldwell, 210. All- very good, goof on intro, 265. Where or When- good, maybe part (start last 16 bars late), 113. Let's Dance- very good, 1st chos., close 2nd chos., 263. Time Medley- start & finish, last chorus only, 173. Stompin' at the Savoy- very good. Side B, 222. Tuxedo Junction- good, maybe, 173. Come In From the Rain- very good, 212. Pennies From Heaven- very good, 28. At Last- good opening only, 5. Anniversary Waltz, 228. Days of Wine and Roses, start & good part of finish, 216. Girl from Ipanema, very good, 220. Que Sera Cha-Cha, good, 143. Dancing in Dark medley- very good, 171. Begin the Beguine- 1st chos. Good, then some mistakes, 00. KJLA chaser- okay, ceremony just before 1st intermission. Note on envelope: Retirement Dance, Tape Master Marriott, 6-27-86.

Envelope includes two set lists with some discrepancies between them. Note inside envelope: Fri., 6-27-86, Marriott, Ov. Pk., 8-11:30 P.M., page one, 34. Rhapsody Theme, 217. Poor Butterfly Medley, 11. Manhattan (girl vocal 1st chos. Bb), 164. Day by Day (male vocal), 231. The Masquerade is Over (girl vocal), 201. On a Clear Day (male vocal 2nd. chos). 140. Shiny Stockings (solos Bill Caldwell, Arch Martin), 210. All (Sherman Gibson solo trpt.), 169. It’s Been a Long, Long Time (girl vocal), 265. Where or When (male vocal), 113. Let’s Dance (B. Goodman theme- solo Bob Ousley), 173. Stompin’ at the Savoy, time medley, 222. Tuxedo Junction, 212. Pennies From Heaven (girl vocal), 00. KJLA Chaser, #, 28. At Last (male vocal), 258. Days of Wine and Roses (violins), 216. Girl from Ipanema (boy and girl vocal), 220. Que Sera Cha-Cha (flute solo Bill Caldwell), 142. Dancing Medley (“Here’s that Rainy Day”- Schad Caldwell, “Out of Nowhere”, Pat 3rd chos.), 171. begin the Beguine (clar. solo Bob Ousley), 95. Day by Day, 225. The One I Love (male vocal), 00. KJLA Chaser, 226. Leroy Brown, 252. So Rare, 196. Now That We’re in Love (girl vocal), 153. Helena Polka, 247. Peg O’ My Heart (Bill Caldwell ten.-arch martin tmb.), 115. Tangerine (male vocal), solos: Gibson, Marsh, Caldwell, Arch, 240. Moonlight Serenade, 230. Boy Next Door (4 bars piano, start at 1), 129. In a Mellow Tone (girl vocal), 145. Stardust, 69. Mac the Knife, 13. If I Had You, 138. Just Friends (male vocal), 00. KJLA Chaser, 206. Pepito Cha-Cha, 139. What I Did For Love (girl vocal), 118. Proud Mary, 179. Our Day Will Come (violins), 68. If I Should Ever Leave You, 149. It’s a Wonderful World, 176. Opus One, 218. A Train, 228. What’ll I Do (girl vocal), 154. Things Ain’t What They Used to Be. Note inside envelope: Tape Distorted & No Good, Only About 50% of Job Taped on 1st 3 Sides of Cassettes 1 and 2. Note on envelope: 6-27-87, Marriott, very goods, 173. Come in From the Rain. Retirement Dance, Marriott, Ov. Pk., June 27, 1986. See tape master under separate envelope.

Envelope includes two set lists with some discrepancies between them. Note inside envelope: Fri., 6-27-86, Marriott, Ov. Pk., 8-11:30 P.M., page one, 34. Rhapsody Theme, 217. Poor Butterfly Medley, 11. Manhattan (girl vocal 1st chos. Bb), 164. Day by Day (male vocal), 231. The Masquerade is Over (girl vocal), 201. On a Clear Day (male vocal 2nd. chos). 140. Shiny Stockings (solos Bill Caldwell, Arch Martin), 210. All (Sherman Gibson solo trpt.), 169. It’s Been a Long, Long Time (girl vocal), 265. Where or When (male vocal), 113. Let’s Dance (B. Goodman theme- solo Bob Ousley), 173. Stompin’ at the Savoy, time medley, 222. Tuxedo Junction, 212. Pennies From Heaven (girl vocal), 00. KJLA Chaser, #, 28. At Last (male vocal), 258. Days of Wine and Roses (violins), 216. Girl from Ipanema (boy and girl vocal), 220. Que Sera Cha-Cha (flute solo Bill Caldwell), 142. Dancing Medley (“Here’s that Rainy Day”- Schad Caldwell, “Out of Nowhere”, Pat 3rd chos.), 171. Begin the Beguine (clar. solo Bob Ousley), 95. Day by Day, 225. The One I Love (male vocal), 00. KJLA Chaser, 226. Leroy Brown, 252. So Rare, 196. Now That We’re in Love (girl vocal), 153. Helena Polka, 247. Peg O’ My Heart (Bill Caldwell ten.-arch martin tmb.), 115. Tangerine (male vocal), solos: Gibson, Marsh, Caldwell, Arch, 240. Moonlight Serenade, 230. Boy Next Door (4 bars piano, start at 1), 129. In a Mellow Tone (girl vocal), 145. Stardust, 69. Mac the Knife, 13. If I Had You, 138. Just Friends (male vocal), 00. KJLA Chaser, 206. Pepito Cha-Cha, 139. What I Did For Love (girl vocal), 118. Proud Mary, 179. Our Day Will Come (violins), 68. If I Should Ever Leave You, 149. It’s a Wonderful World, 176. Opus One, 218. A Train, 228. What’ll I Do (girl vocal), 154. Things Ain’t What They Used To Be. Note inside envelope: Tape Distorted & No Good, Only About 50% of Job Taped on 1st 3 Sides of Cassettes 1 and 2. Note on envelope: 6-27-87, Marriott, very goods, 173. Come in From the Rain. Retirement Dance, Marriott, Ov. Pk., June 27, 1986. See tape master under separate envelope.